Posts Tagged ‘online video’

Mediashift Focuses on Online Advertising

Thursday, June 26th, 2008

In case you haven’t clicked on every link in our blogroll (but why haven’t you?), head on over to Mark Glaser’s MediaShift blog. Mark spoke to a number of industry leaders about the state of online video advertising, and I must say that its one of the most balanced pieces you’ll get to read.

But if you absolutely refuse to read anything about online video except us, here’s what I had to say:

Probably the biggest mistake people make is in equating professional, studio-quality videos with the more amateur content that dominates video-sharing sites.

Yep. Some content just isn’t monetizable. Go figure. In case you need a refresher, pre-roll isn’t bad. Poorly placed pre-roll is. Remember the covenant! And more importantly, remember not to piss off Steve Hall.

NY Video 2.0 Meetup

Thursday, June 26th, 2008

In case you couldn’t make it, here’s what you missed. Presenters included Hulu’s Kevin McGurn, Move Networks’ Bob Bryson, Boxee’s Avner Ronen, MediaMerx’s Tejpaul Bhatia,and Matt Cutler from Visible Measures.

Matt Cutler, VP of Marketing & Analytics, Visible Measures

Wednesday, June 18th, 2008

There are lots of cool companies, technologies and ad formats out there. But without metrics, “cool” ain’t worth much. So who is helping people figure out just how cool their ads are? Visible Measures is one of those companies. I’ve had the pleasure of chatting about the industry, and not the industry, with Matt Cutler, Visible Measures’ vice president of marketing & analytics, at the past few trade shows. Beet.TV grabbed a few minutes of Matt’s time at OMMA Video earlier this week, and let the MIT grad explain what’s behind all this engagement and metrics stuff. Watch……

IAB Releases InStream Ad Metrics Definitions

Tuesday, June 17th, 2008

The IAB has released its definitions for InStream ad metrics. View them on their site or download the PDF.

This is a critical step towards simplifying the buying and selling of online video advertising and speeding up the shift of TV ad dollars onto the Web. Definitions cover linear, non-linear and companion banner metrics.

Questions? Do they make sense? Will they work? Comment!

OMMA Video Panel: Metrics

Monday, June 16th, 2008

Moderator: Dan Ackerman, Sr. Editor, CNET
Andrew Budkofsky, Break Media
Lynn Bolger, comScore
James Kiernan, MediaVest
Maniak Mazumdar, Nielsen
Even Silverman, Lifetime Networks

There is a lot of discussion about ISP data and how it can be applied to the web. comScore and Nielsen may not be as accurate down the long tail.

Long tail is important, but there are challenges to that. If you are on the internet for a long time, Nielson would like to be able to track you.

What are companies doing to bring stability to a tumultuous situation?
It is more about looking at 3rd party ad serving metrics, rich media partners, and fusing all the data together so that it is actionable, and we can apply the learning to our next campaigns. Lots of success using dashboards to pull together data from disparate stories.

Is there a danger of having data that can’t be validated or even recreated by other parties?
Yes, there is some, but it isn’t like people are pulling from obscure data sources. Agencies do need to be more transparent about the data they are aggregating and using.

Time spent is an idea metric in the gaming sections. In other sections, it might be page views.

How do you choose what to cherry pick for data? Do you strive for accuracy and consistency first?
It is most important to be accurate, no matter what the methodology. You need to find out what is important to the client and the clients goals. We need to be honest about the ad experience.

Advertisers are all looking for different things, so it is difficult to have a uniform methodology.

Maniak, Nielsen: We’re hoping that people don’t have to cherry pick. We can provide enough data and consensus around that data.

Dan: Lets focus on time spent.
James Kiernan: time spent is a nice proxy for engagement. But until we can measure time spent’s impact on offline sales, it is sort of meaningless.

Lynn, comScore: Which metrics are you going to use to build a business model? Transactions are based on site side data. Demographic data comes from panels. How do those pieces fit together to create a marketplace? How does a non-linear video experience compare? And most importantly, which piece do you want to negotiate on?

Dan: Who is being undercounted under different methodologies?
Maniak: We see both sides. When it comes to volume metrics, server side is more accurate. But there is a big “but.” There are lots of bots and spiders out there, so you need to clean the data. If you are using server side blindly, you are basically targeting machines. Panels are great place for audience metrics.

Dan: What about demographic groups being under represented?
Maniak: Young people are under reported. But if you believe in statistical sampling, there are ways to measure and account for that. People say that you can’t measure one audience or another. There ways to adjust for the “at work” audience, for example.

Lynn: There are challenges with kids, not just online. The at-work audience is also difficult. The practical reality is that there are firewalls.

Evan: What about shared computers?
Lynn: We identify the individual user on the machine at the time.
Maniak: There are log ins for each person. We can leverage that to distinguish individuals from each other.
Lynn: people give up a lot of personal information that we can use.

Dan: What about other companies, like Compete.com, that put out data that you can quote, even if you don’t know where it comes from.
Lynn: Use it at your own risk.

Dan: What is the ideal set of numbers?
Andrew: it would have to be a direct measurement of some kind. There are just too many discrepencies right now. It would be mostly server based, but can also be cookie based. But we need to use what the agencies are using.
Lynn: It will still be panel based.
James: Hybrid models are very intriguing. They bring the best of both worlds. I’m waiting for someone to bring it to market, but it will be more on the server side.

Maniak: We measure people, no matter what the devise or platform. There are always gaps in measurement with new technologies.

Evan: As someone who works for a cable company, merging measurement for online and offline is the most intriguing to me.

Lynn: the question of accuracy is critical. Measurement of the transaction is critical. When it comes to looking at what will happen in the future, we need data that is predictive. The role of panel data brings an awful lot into the planning process and will be required today and moving forward.

Q&A: With distribution models changing so much, how are you tackling those issues?
Maniak: If it is TV content, there is a watermark. The distribution issue isn’t a problem, at least not for TV content.
Lynn: there are business questions that need to be considered. How the inventory is packaged and sold. There is a mapping system that tracks content and where it is played, so we can bring it all back together.

Q: With people surfing the web on multiple devices, are impressions all of equal value?
A: Yes. Doesn’t matter if you watch it on an iPhone or the web.
James K: The TV networks have it backwards. They have a model where they can’t really prove the value of an impression.

Q: Is there more value to watching something on TV or downloading it on your xbox 360 on your TV, is it the same experience?
James K: We’re setting up our agencies so that it doesn’t matter where you watch your content. There won’t be broadcast vs. broadband buyers.
Lynn: there isn’t going to be a universal solution. Some marketers will want it all in one place. Others will want it segmented. But the outcome is what is important. On mobile, you can determine if someone walks into a store with GPS. The outcome metrics need to be different than if you watch on TV.

Q: Since there are discrepancies, does comScore work with publishers to make sure that the panel based data is closer to the server side data?
Lynn: We will always work with anyone on the technology to make sure the data is accurate as possible.

Q: How do you track embeds of embeds and downloadables?
James: I’m very intrigued by using watermarks to track content.

Heavy Getting (slightly) Heavier

Friday, June 6th, 2008

One day (and one post) after announcing the layoffs of 25 staffers, online video portal Heavy.com announced that it has opened its doors in Canada. Heavy launched Husky Media Canada with Corus Entertainment, a Canadian media and entertainment company, as their anchor partner. Heavy Canada will distribute programming across its radio sites in a customized channel, through its “male-oriented radio stations” including 102.1 the Edge in Toronto, CFOX in Vancouver, Power 97 in Winnipeg and Q107 in Toronto and Calgary.

I’m not Canadian, and I haven’t listened to the radio in a long time, but what is a “male oriented radio station?” Their playlists look pretty unisex to me.

Ask A Ninja: The Future of Online Video

Thursday, May 22nd, 2008

“FACT: To anyone under thirty words are only relevant if they’re in a video”

Webby Award Winners Announced

Tuesday, May 6th, 2008

Congrats the winners - and nominees - of this year’s Webby Awards, which were announced earlier today. Naturally a special nod to those in the online film and video category, as well as those in the interactive advertising category. All categories have a “Webby” Award - the official winner - as well as a “People’s Choice” Award, so go check out some of the best of the web.

In case you didn’t know, The Webby Awards honor excellence on the Internet. The Webbys are presented by The International Academy of Digital Arts and Sciences, a 550-member body of leading Web experts, business figures, luminaries, visionaries and creative celebrities. The actual awards take place June 8-10 in New York.

IAB DV Forum: The IAB Live Blog

Monday, May 5th, 2008

Sitting in the back of the room has its drawbacks. I would have / should have known that there was an “Official” IAB Live Blog of the event. For another (official) perspective, head over for their recap.

IAB: Creating Great Content for 3 Screens

Monday, May 5th, 2008

Moderator: Alan Schulman, Senior Vice President, Executive Creative Director, Executive Director of User Experience, imc2
Nick Johnson, VP National Sales, Internet & Broadband, NBC Universal
Rishi Malhotra, Vice President, Multiplatform Program Marketing, HBO
Jon Vlassopulos, Senior Vice President, Digital Media & Branded Entertainment, Endemol USA

Sizzle reels to kick off the “Great Content” panel. Seems like I’m watching a lot of TV. This is more “Big Love” than I’ve ever watched. And I can’t change the channel. But I digress.

New Endemol show, Get Close to the Sugar Babes is the first interactive, mobile only video show. Reminds me of the “30 Rock” clip from about a year ago….

Nick: Post strike, the creative palate is as wide as ever. Marketers and content creators are thinking about how to extend their content digitally from the get go. For Heroes, NBC will be continuing to extend the show, and working on better integration between the show offline and on. The question is how to get wider distribution. Will also be creating additional web only content.

Jon: As a content producer, more and more people coming to them to find out how to get involved. It is an interesting time creatively. We’re not just talking about static advertising, or just about repurposing, but post-strike we’re thinking more about the web as its own vehicle and how to create content for it.

Rishi: The strike created a massive awareness of the other screens on the writing side. Writers wanted to get paid, right? Now, the first thing you hear from writers is, “What else can we do for the other screens?”

Alan: More “Pre-purposing” of assets post-strike. Excellent term.

Alan: HBO doesn’t have brand adjacency, so what do you do to leverage these new screens?

Rishi: Using content to market content. Using the story as an on ramp for the larger story, building a franchise.

Alan: How do advertisers get involved in influencing the storyline?

Nick: The appetite for integration depends a lot on the maturity of the brand. Will Nissan affect the broader storyline? No. But having a good relationship with the show owners is key to finding opportunities that make sense for your brand.

Alan: What about cable? More opps?

Nick: yes. Shows like Top Chef provide a lot more opportunity for brands to integrate and capture frequency. Reality and challenge shows are easier to integrate brands and products.

Nick: If you want to be more efficient in a broadband environment, there are plenty of them. But not very many opportunities to justify the high CPMs that high quality content offers.

Alan: with all the “pre-purposing” of assets, who is paying for the creation of that content?

Rishi: When people ask late in the game, it adds production days and costs. The earlier you can build a “surround story” and bake it into the natural show production, the better.