Archive for the ‘Streaming’ Category

CBS Launches HD Player. Content HD. Ad? Not So Much.

Thursday, July 24th, 2008

CBS has launched their new HD Video portal with plenty of CBS content to enjoy. A quick view of a few shows on the laptop confirms that the content looks clear, sharp and doesn’t stutter. Looking forward to checking it out on the big screen as usual.

But, wait. What about the ads? I’m glad you asked. Either CBS doesn’t have an HD version of the ads they are using, or are streaming in the ads from a different platform. The ad I saw was so fuzzy that I could barely read the text in it. A second version of the ad was also undeniably low-def.

So what gives? From my perch, I know for a fact that there is demand for online HD content for advertisers to run their HD ads in. Could be some A-B testing going on, but all the ads I’ve seen so far are fuzzy.

Solid ad strategy as well. The first pre-roll is only :15 seconds. Once you are into the content, the ads become :30s. Smart. Why? You’ve already got them hooked, and there’s still fewer ads than on TV. Solid value prop.

Ben Adds: The player offers two quality settings - 720P HD and 480i which CBS terms HQ (High Quality). It looks like the ads are in 480i resolution which would explain the distortion. Intel has signed on as a sponsor so what you’ll see is an Intel ad delivered by CBSi.

On a user-experience note, I just became a fan of Flashpoint, it was the first thing I watched and I was compelled enough that I watched the full episode and the next one because of the quality of the video and the content. CBS hasn’t offered much info about how the video is delivered but you can’t argue with the way it looks.

NBCOlympics.com: Kickass But Still Something to Be Desired

Tuesday, July 22nd, 2008

NBC has soft launched their Silverlight powered Olympics portal and it’s pretty cool. There should be more to play with as we get closer to the games so it’s not entirely fair to judge it at this point but overall the interface is clean and user friendly, and for the moment at least it seems to work well.

Noticably missing is a full-screen mode, varying quality options, and the picture-in-picture and three small video windows in the 4-screen live video control room are so small that they don’t add much.

Some screenshots are below, check it out for yourself at NBCOlympics.com.

Above: Opening Video Page

Above: Live Video Control Room

Above: Large Screen w/ PIP

The question is whether it will scale, the video quality in the player leaves something to be desired, and it doesn’t appear at least from what I’ve seen that the player is using the adaptive bitrate streaming capability of the Silverlight 2.0 plugin. When there are thousands of concurrent viewers, there may be a completely different viewing experience.

Rok-who? Netflix on XBox LIVE

Monday, July 14th, 2008

Yeah, the title’s pretty bad but I’m coming off of a vacation so give me a break. Microsoft which has already announced numerous content deals for XBox Live this year announced today at E3 that they will will soon offer access to the 10,000 + titles in the Netflix streaming library to existing subscribers.

The blogosphere has been quick to declare this a blow to AppleTV, but the deal is more a case of two companies that were already already in bed together getting a little closer. Netflix has reportedly spent more than $40 million on development to create its streaming service using Silverlight, Microsoft likely fronted a substantial portion of that. Netflix CEO Doug Hastings is on the Microsoft board.

Content will be delivered by Limelight, another company with close Microsoft ties. Microsoft plans to roll out the service when their upgraded XBox live interface is released this Fall.

The service will also have a unique interactive component allowing multiple users to watch simultaneously, useful for when all those guys in their parents basements get tired of Halo and decide to watch Star Wars together.

What’s Up With NBC’s Olympics Streaming?

Thursday, July 3rd, 2008

NBC OlympicsLess than two months away from the beginning of the summer Olympics, NBC has yet to announce their complete technology plans for the games. Here’s what we know:

  • Microsoft paid a hefty portion of NBC’s development costs to get them to use Silverlight, and is still working to remove the beta from Silverlight 2.0 ahead of the summer games.
  • Microsoft demoed the NBC Olympics site at Mix08, announced the same day that they had formed a strategic relationship with Move Networks, and Move’s CEO hinted late last year that the company would be involved.
  • The player was designed by Schematic, the Los Angeles based design company with strong ties to Move Networks. More than 2,200 hours of live video and more than 3,000 hours of on-demand content will be offered through NBCOlympics.com on MSN.
  • NBC will use a Media Asset Management System from Blue Order.
  • NBC will limit its downloadable ‘On the Go’ Olympic video on-demand service to users running Microsoft Vista. The service, powered by Wavexpress will allow media center users to view downloaded content in up to HD quality, protected by DRM.

The missing piece is the most important part - the live content delivery portion. Clearly NBC and Microsoft will need some very large partners to deliver a live event of this scale efficiently and it seems strange that the company has made so many separate announcements about without any insight into their technology partners and other plans for live.

Burning questions: Who is handling encoding and content delivery? Will there be a login required? How will advertising be integrated and who is managing it? How many concurrent viewers do they anticipate and how many can they support? How will they manage access in order to deliver a high quality of experience for all users? It is not a good sign that these questions are still unanswered so close to the start of the games.

NBC Universal did not respond to e-mailed requests for comment.

NY Video 2.0 Meetup

Thursday, June 26th, 2008

In case you couldn’t make it, here’s what you missed. Presenters included Hulu’s Kevin McGurn, Move Networks’ Bob Bryson, Boxee’s Avner Ronen, MediaMerx’s Tejpaul Bhatia,and Matt Cutler from Visible Measures.

Lycos Cinema’s Film Festival Directors

Tuesday, June 24th, 2008

Four up and coming filmmakers will host live chats with fans during screenings of their films in the Independent Features online film festival tonight (Tuesday, June 24). The screenings take advantage of Lycos Cinema’s unique synchronous watch and chat functionality, allowing fans to ask questions and get commentary from the films’ directors while watching the movies together in real-time. Live “Directors Commentary” if you will. The top films will be shown at the Tribeca Cinemas in NYC, July 25-27.

The four filmmakers hosting “Director’s Take” chats are:

Racing Daylight
Directed by: Nicole Quinn
Director’s Take starts: Tuesday June 24th, 08:00 PM EST

Between Two Worlds
Directed by: Rodney Leconte
Director’s Take starts: Tuesday June 24th, 09:00 PM EST

A-Bo the Humonkey
Directed by: Frankie Frain
Director’s Take starts: Tuesday June 24th, 09:00 PM EST

Two For Three
Directed by: Matt Nye
Director’s Take starts: Tuesday June 24th, 09:00 PM EST

Be sure to check it out!

Matt Cutler, VP of Marketing & Analytics, Visible Measures

Wednesday, June 18th, 2008

There are lots of cool companies, technologies and ad formats out there. But without metrics, “cool” ain’t worth much. So who is helping people figure out just how cool their ads are? Visible Measures is one of those companies. I’ve had the pleasure of chatting about the industry, and not the industry, with Matt Cutler, Visible Measures’ vice president of marketing & analytics, at the past few trade shows. Beet.TV grabbed a few minutes of Matt’s time at OMMA Video earlier this week, and let the MIT grad explain what’s behind all this engagement and metrics stuff. Watch……

IAB Releases InStream Ad Metrics Definitions

Tuesday, June 17th, 2008

The IAB has released its definitions for InStream ad metrics. View them on their site or download the PDF.

This is a critical step towards simplifying the buying and selling of online video advertising and speeding up the shift of TV ad dollars onto the Web. Definitions cover linear, non-linear and companion banner metrics.

Questions? Do they make sense? Will they work? Comment!

OMMA Video Panel: Metrics

Monday, June 16th, 2008

Moderator: Dan Ackerman, Sr. Editor, CNET
Andrew Budkofsky, Break Media
Lynn Bolger, comScore
James Kiernan, MediaVest
Maniak Mazumdar, Nielsen
Even Silverman, Lifetime Networks

There is a lot of discussion about ISP data and how it can be applied to the web. comScore and Nielsen may not be as accurate down the long tail.

Long tail is important, but there are challenges to that. If you are on the internet for a long time, Nielson would like to be able to track you.

What are companies doing to bring stability to a tumultuous situation?
It is more about looking at 3rd party ad serving metrics, rich media partners, and fusing all the data together so that it is actionable, and we can apply the learning to our next campaigns. Lots of success using dashboards to pull together data from disparate stories.

Is there a danger of having data that can’t be validated or even recreated by other parties?
Yes, there is some, but it isn’t like people are pulling from obscure data sources. Agencies do need to be more transparent about the data they are aggregating and using.

Time spent is an idea metric in the gaming sections. In other sections, it might be page views.

How do you choose what to cherry pick for data? Do you strive for accuracy and consistency first?
It is most important to be accurate, no matter what the methodology. You need to find out what is important to the client and the clients goals. We need to be honest about the ad experience.

Advertisers are all looking for different things, so it is difficult to have a uniform methodology.

Maniak, Nielsen: We’re hoping that people don’t have to cherry pick. We can provide enough data and consensus around that data.

Dan: Lets focus on time spent.
James Kiernan: time spent is a nice proxy for engagement. But until we can measure time spent’s impact on offline sales, it is sort of meaningless.

Lynn, comScore: Which metrics are you going to use to build a business model? Transactions are based on site side data. Demographic data comes from panels. How do those pieces fit together to create a marketplace? How does a non-linear video experience compare? And most importantly, which piece do you want to negotiate on?

Dan: Who is being undercounted under different methodologies?
Maniak: We see both sides. When it comes to volume metrics, server side is more accurate. But there is a big “but.” There are lots of bots and spiders out there, so you need to clean the data. If you are using server side blindly, you are basically targeting machines. Panels are great place for audience metrics.

Dan: What about demographic groups being under represented?
Maniak: Young people are under reported. But if you believe in statistical sampling, there are ways to measure and account for that. People say that you can’t measure one audience or another. There ways to adjust for the “at work” audience, for example.

Lynn: There are challenges with kids, not just online. The at-work audience is also difficult. The practical reality is that there are firewalls.

Evan: What about shared computers?
Lynn: We identify the individual user on the machine at the time.
Maniak: There are log ins for each person. We can leverage that to distinguish individuals from each other.
Lynn: people give up a lot of personal information that we can use.

Dan: What about other companies, like Compete.com, that put out data that you can quote, even if you don’t know where it comes from.
Lynn: Use it at your own risk.

Dan: What is the ideal set of numbers?
Andrew: it would have to be a direct measurement of some kind. There are just too many discrepencies right now. It would be mostly server based, but can also be cookie based. But we need to use what the agencies are using.
Lynn: It will still be panel based.
James: Hybrid models are very intriguing. They bring the best of both worlds. I’m waiting for someone to bring it to market, but it will be more on the server side.

Maniak: We measure people, no matter what the devise or platform. There are always gaps in measurement with new technologies.

Evan: As someone who works for a cable company, merging measurement for online and offline is the most intriguing to me.

Lynn: the question of accuracy is critical. Measurement of the transaction is critical. When it comes to looking at what will happen in the future, we need data that is predictive. The role of panel data brings an awful lot into the planning process and will be required today and moving forward.

Q&A: With distribution models changing so much, how are you tackling those issues?
Maniak: If it is TV content, there is a watermark. The distribution issue isn’t a problem, at least not for TV content.
Lynn: there are business questions that need to be considered. How the inventory is packaged and sold. There is a mapping system that tracks content and where it is played, so we can bring it all back together.

Q: With people surfing the web on multiple devices, are impressions all of equal value?
A: Yes. Doesn’t matter if you watch it on an iPhone or the web.
James K: The TV networks have it backwards. They have a model where they can’t really prove the value of an impression.

Q: Is there more value to watching something on TV or downloading it on your xbox 360 on your TV, is it the same experience?
James K: We’re setting up our agencies so that it doesn’t matter where you watch your content. There won’t be broadcast vs. broadband buyers.
Lynn: there isn’t going to be a universal solution. Some marketers will want it all in one place. Others will want it segmented. But the outcome is what is important. On mobile, you can determine if someone walks into a store with GPS. The outcome metrics need to be different than if you watch on TV.

Q: Since there are discrepancies, does comScore work with publishers to make sure that the panel based data is closer to the server side data?
Lynn: We will always work with anyone on the technology to make sure the data is accurate as possible.

Q: How do you track embeds of embeds and downloadables?
James: I’m very intrigued by using watermarks to track content.

OMMA Video Panel: The Format Wars

Monday, June 16th, 2008

Moderator: Steve Smith
Philip Braden, ScanScout
Eric Hadley, CEO, Heavy
Rebecca Paoletti, Yahoo
Chris Allen, Starcom

Panel starts with some show-and-tell.

ScanScout Philip Braden shows overlays. Plays in-stream while the video is playing. From that point on, the ad experience is completely user initiated. New example that Philip showed was a video-in-video overlay. Cool demo alert: There was video playing in the overlay. Lots of potential here.

Eric Hadley, CMO, Heavy.com, shows an example from the Husky Media Network. It is a full page takeover that wraps around the video player. They also have a video guide that can load other syndicated content, and then serve an ad against the syndicated content, which has been pre-vetted for ad friendliness. Essentially, their ad covers up all of the content on a website except the video player. It removes the risk of having your ad seen along side questionable content.

Rebecca starts by asking the room how many people would buy those Heavy skins. Not one hand. Then into the Yahoo pitch. Four different formats, but 90% of their revenue comes from only two of those formats. User is prompted to roll over for more info. When the user does, an overlay appears that can be interacted with. Rebecca says they are seeing 6% CTR on them. A whole 6%. Not a “point-six percent.” She also shows a persistent bug that sits on top of the player that will launch an overlay. Clicking on the subsequent overlay can launch a microsite that sits on top of the player. For each clip, the advertiser gets three opportunities to engage.

Steve: What types of content are these formats good for monetizing? How do they map and match against different types of content?

ScanScout: overlays work across all types of content. They also work great for short form content where you can’t show a pre-roll. You can also contextually target the ads. We have a fair number of publishers that have UGC, and we can filter out undesirable content. The technology is flexible, which allows a brand like Disney to have different standards than Budweiser.

Eric, Heavy: We find that the skins are excellent for monetizing longer form content. We can show multiple ads without asking the user to interrupt their experience. The video guide allows the advertiser to know what content their ads will be next to.

Rebecca: We can serve pre-roll against a lot of our professionally produced content, like sports highlights. Some publishers don’t like overlays because their content is their ‘bread and butter’ and they don’t want it covered.

Philip: We can also put the overlay under the player for publishers who don’t want to cover any of their content.

Steve: Are we effectively monetizing short news clips?
Rebecca: Specific content may not be monetized on purpose. Breaking news, for example. We want users to be able to get a hurricane update immediately, without watching an ad.

Steve: Are these formats making video safer for brands?
Chris: We have two buckets. UGC and not UGC. Most of our advertisers believe they can reach their audience without dipping into the UGC pool. But we still see tons of pre-roll, mainly because its easy. They’ve already created it. We advocate for shorter ads. But you can’t get substantial reach without looking to the portals. We also look at the ad-to-content ratio for a publisher. 4:1 content to ad ratio is probably OK. We’re helping our advertisers understand what they can do with video. Most of them don’t know that you can do lead gen with video.

Steve: What about portability? Is there pushback from publishers or brands that don’t want their ads to follow the content as it is hypersyndicated?
Philip: We integrate our technology so that the ads can travel with the video. But we also want to know where the content has gone before we serve an ad.

Rebecca: Portability was a huge push for our latest ad formats. We wanted to make it easy for our publishers to use. We focused on keeping the interactions within the video player.

Chris: We want see where the content goes before we buy ads. Syndicating content out to social networks is still scary for a lot of advertisers. When we first started talking about syndication of content across the web, we knew it would be huge. Previously we had always applied the value to the content. But we’re finding that there is also a lot of value on the publisher that delivers the content. The CBS Audience Network still gets the majority of their views from CBS.com.

Steve: How well do the formats encourage video use?
Eric: We wanted to be able to monetize the video anywhere, and not force people to watch a pre-roll. When you serve an ad in the middle of a video, you’ve already got the user hooked. You need to get them hooked first. If they back out of the video because of a pre-roll, you lose all the potential ad impressions that would have come after it.

Philip: Its hard to say that any form of advertising encourages viewing. But ads need to be configured in a way so that it doesn’t alienate users.

Rebecca: This is an ongoing debate. I always have people saying “kill the pre-roll.” And we’ll test it, but it never affects the levels of video consumption. Our focus is on the number of videos to ads. On the entertainment side, there is no difference in video consumption regardless of the ad format.

Steve: Video ads are becoming more interactive. It is still interruptive, even if it is up to them. Are people really willing to interact with an ad?

Philip: Engagement in general is good. We are 1%+ CTR on the overlays. But more than half of the people that click on the overlay eventually click through to the destination site.

Erik: We put the interactivity in the skin because it is such a large piece of real estate. Our audience multitasks. They want to watch a bunch of goofy videos, not really paying attention.

Steve: Are we getting to the point where there is confusion in the market about what constitutes a video ad?

Erik: You need to try lots of things.

Chris: People expect new things. They want to be entertained and have fresh new things in front of them while they are surfing the web. Part of our job is to be respectful of the user experience.

Steve: What are you charging media buyers for these ad formats?
Philip: Overlays start at $10 CPM.
Erik: We’re looking at $25 CPMs
Rebecca: We’re in the middle of negotiating our upfronts, but generally CPMs start at $25 for ROS because we are able to do a lot of targeting.

Chris: When I compare video CPMs to TV, there is a huge premium online. And we’re willing to pay that premium if we know that it is being effective. I think the “teens” is a good rate for pre-roll.